Year in Review

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Welcome to part three of OCTV’s mid-year wrap up, where Nicole and SB go over what they’ve been watching all year and take a step back to look at the seasons (or the seasons so far) as a whole.  If you missed part one, you can find it here, and part two is here.  Gifs are generously rounded up by hockeybychoice, and as always, Nicole’s thoughts are in purple and SB’s are in blue.  Enjoy and be sure to comment!

Modern Family

I … can’t exactly decide how I feel about Modern Family.  I do really like it, and I almost always think it’s really funny.  I care about the characters and I look forward to watching it, and I find it relateable and likeable, and it doesn’t really feel like a show that you should be able to find much about to criticize, but I still can’t bring myself to say that I love it without any sort of qualifications, the first being … goddamn, do I hate Manny!  He is THE WORST.  The good news is that I actually really like everyone else.

The second is that I feel like as this show goes on, it goes deeper and deeper into “sitcommy” territory.  There’s always some sort of mix up or misunderstanding or “wacky hijinks” that make it feel like a screwball comedy, which is not normally my favorite thing.  And this was starting to drive me a little insane, but I kind of learned to stop thinking about it and just enjoy the show, because, like I said, I do enjoy the characters and one-liners so much that it just really isn’t worth getting worked up over.

Man, that sounds like more of a downer than I meant it to, and I don’t want to end on that, so let me finish by saying that I’ve enjoyed this season a lot more than the last, and I LOVED the whole wireless printer gag, Phil and Luke continue to be hilarious, and Gloria ALWAYS cracks me up … but of course, my favorite character is Stella.

I have mixed feelings about the show too, and I try to adopt the same attitude as SB when I watch it because I do like most of the characters and there are some great jokes in every episode.  But a lot of the times, the jokes feel like we’ve seen them before, you know?  Gloria is hilarious and her accent can be used to great effect, but it loses its impact when every episode features a joke (or five) about her wacky mispronunciations.  

You can practically predict the basic elements of every episode: Claire will be frazzled and annoyed with her family; Mitchell will be embarrassed by something that Cam does and will be kind of a dick about it; Phil will fall down; Jay will curmudgeonly complain about Manny and one of his fucking annoying quirks (valid).  The only thing that seems to change from week to week is the ‘wacky setup’ that SB talked about, the situation that is basically contrived just to highlight same beats over and over again.

The show really works best for me when the show mixes up the characters in ways that we don’t see very often, because it forces the dynamic of the entire show to adapt and vary from the norm.  Don’t get me wrong – those elements that they go back to over and over again are funny (well, except for Manny – as SB has already said, he is the worst) – it’s just that I’d like the show to find more ways to make us laugh or it’s going to start to get old.  Take Luke – his character evolved from the hilarious dumb kid to the secret genius of the family.  He’s still awesome, just in a new and different way.  If the show can figure out a way to make the characters seem as well thought out as the jokes, they’d be on fire.     

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Welcome back to part two of OCTV’s mid-year wrap up, where Nicole and SB go over what they’ve been watching all year and take a step back to look at the seasons (or the seasons so far) as a whole.  If you missed part one, you can find it here.  Gifs are generously rounded up by hockeybychoice, and as always, Nicole’s thoughts are in purple and SB’s are in blue.  Enjoy and be sure to comment!

How I Met Your Mother

This show has really impressed me with it’s willingness to go places where most traditional sitcoms would be afraid to go.  The most impressive and heartbreaking example of this is last year’s storyline about the death of Marshall’s dad which can still make me tear up if I picture Alyson Hannigan’s cryface and remember Jason Segel’s strained ‘I’m not ready for this’.  The whole thing was so well done and they found a fantastic balance of humor and emotion to tell the story over the subsequent weeks.  As someone similar in age to the characters, I appreciate the fact that the show will go there and show the funny and human side of all the shit you go through in life around this age.

This year, the drama has been about Robin and her inability to have kids, and how she feels about that considering that she was always the one that said she never wanted them.  Again, I can totally relate to this.  I’ve never particularly wanted be an Olympic pole vaulter for Team Canada either, but if the option was suddenly taken away from me, I don’t know how I’d feel about it.  At this point, I appreciate this show for it’s ability to tell (mostly) good stories each week, and for making me laugh AND cry, and I don’t particularly give a shit HOW he met their goddamn mother.  I stopped caring about that a long time ago.  But as long as I feel connected to these people and the show is willing to take chances with stories and subject matter, I’ll be watching.

Yeah, you know, I read a lot of professional critcs’ opinions about this show and their increasing rage, and I’m always a little confused, like … REALLY?  It’s not that they don’t make valid points, I guess, but I just kind of feel like what they’re getting worked up about isn’t that big a deal, and I pretty much feel like if you’re still watching the show with the actual expectation of Ted finding the mother, you’re just setting yourself up for disappointment every week.  And I don’t know, it just seems weird to me keep watching a show that’s going to stress you out.  But then, I’m not a professional critic, so if I don’t want to watch something … I just don’t.

Anyway, I agree with Nicole that this show has had a lot of really great acting, especially in the least year or two.  Those episodes where Marshall’s dad died were excruciating, in a good way.  I also got emotional about the Olympic pole vaulter episode, and how about Barney finding his real dad?  All awesome.

My only real issues in the past year have been Zoey (how do you actually make Jennifer Morrison, of all people, insufferable?) and Kevin.  I’m fine with Ted being single (also, I really don’t know why everyone hates Ted so much … I guess I wouldn’t say he’s my FAVORITE, but he’s fine, and he just serves such a definite purpose within the group–but I digress), but I’m not sure why we’re still keeping Barney and Robin apart at this point.  The writers really fucked it up once, and I thought things were getting back on track.  I’m okay with a short “choosing Kevin, pregnancy scare” detour, but I hope it’s short.  Obviously Lily and Marshall have their happily ever after, and Ted is working on his … is it so unreasonable to give Robin and Barney theirs, when it’s so obviously each other?

But even the prolonged agony of Robin and Barney isn’t enough to keep me away from the show.  I really like it–it’s funny, the cast has awesome chemistry, and it’s a nice half hour on a Monday.  I’m in for the long haul.

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Well, it’s that time of year when we all spend time with loved ones and curse the TV Gods for the fact that there’s nothing good to watch until January.  But have no fear!  SB and I are here to guide you through a recap of the 2011 portion of the 2011/2012 tv season (as well as those shows that have aired complete seasons since our last Wrap-Up in June) and maybe even finally guilt you into checking out that show you’ve been meaning to catch up with on Netflix or DVD (*cough* Breaking Bad *cough*) while you avoid your racist relatives and drink too much gin and red wine, or maybe that’s just me. As always, my thoughts are in purple and SB’s are in blue, and big thanks to hockeybychoice for helping us out with gifs and pics for these posts!

True Blood

I think that it’s safe to say that I liked season four a lot better than seasons two and especially three, which was my least favorite of all.  But I can also confidently say that my enjoyment of season four was increased by a factor of a thousand during the season finale with the elements that were introduced as a set-up for next year.  So overall I liked it, but I LOVED those last few minutes and am super-pumped for season five.  

First off though, kudos for ending that meth/gang rape/werepanther bullshit pretty early on (I really could have done without the scenes of young-looking sister-wives lining up to violate Jason though).  It was incredibly disturbing and incredibly stupid.  You can have one or the other, but not both (just look at Will Schuester on Glee for further proof of how terrible that combination is).  I also liked the Jason/Hoyt/Jessica storyline a lot, but they’re my three favorite characters so that’s no surprise.

The best though was that last episode and the reveal of two amazing things: the return of Russell Edgington and also of VAMPIRE STEVE NEWLIN!!!!  I have made no secret of my love for the Newlins, and I assumed that he was going to resurface because we’d been hearing little tidbits about the fact that he was missing all through season 4, but when he popped his fangs at Jason’s door, I died.  Next year has to be great, right?  All of that PLUS the fact that Chris Meloni is joining the show!  I haven’t been this excited for a season of TB since the end of season one.    

Agreed, I really can’t wait for next season.  I was starting to feel like I could wait for the rest as it came out on DVD, but the return of both Steve Newlin AND Russel Edgington, the best, most badass, batshit insane villain this show has ever had?  Yeah, I’m in.

This season had some real highlights for me, and several things that didn’t really work as well.  I love, love, LOVED the show jumping ahead in time a year and more or less eliminating the fairy bullshit.  Hoyt and Jessica’s relationship falling apart, while horribly painful to watch, was also really, really well done, and I enjoyed the Sookie and Eric triangle, particularly when Eric regained his memory.  Marnie was a good Big Bad, and Lafayette kicked MAJOR ass channeling various crazy bitches.  Oh, and Tommy’s death?  HEARTBREAKINGLY good.

Now, for what I did not enjoy as much–pretty much everything involving Sam, up until the point Tommy died; Tara, but that’s nothing new (although her death made my life, temporarily, until I heard she’d be back); and the use of Jesus.  It’s probably best that he’s dead too, because did anyone else feel like he just became the exposition fairy?  Until, that is, Holly showed up as the exposition fairy, literally?

Bottom line, in typical True Blood fashion, it was both good and bad, but the entertaining parts generally won me over enough to make it worth it.  True Blood seems to be on an every other season swing for me (much like Top Chef)–I liked S1, hated S2, liked S3 more, liked S4 a little less, and am looking forward to a kickass S5.      

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Now that both Vampire Diaries and the Secret Circle are on winter hiatus, I’ve asked Nicole to join me for a meeting of the brain trust to discuss The Secret Circle, which, for better or worse, is nearly inseparable from Vampire Diaries at this point.  Now that we’ve reached a our first break, it seemed like a good time to step back and take a look at the show so far as a whole.  As always, SB is in blue and Nicole is in purple.

I’m going to get it out of the way first.  Secret Circle is definitely not as good as The Vampire Diaries.  And honestly, I’m not sure whether to call it disappointing, because I didn’t really have any expectations for the show–in fact, it might even be better than I would’ve initially thought.  But I don’t think that the quality comparisons are helped by the fact that commercials are always throwing the TVD/TSC producer connection in our face at every opportunity, and I REALLY don’t think that TSC benefits, comparison wise, from airing on the same night as TVD.  I’m sure it benefits ratings-wise, which is obviously important for business, but … I don’t feel like as a viewer, there’s any benefit at all.

I can completely understand this perspective, because TVD has really mastered the art of perpetual motion, where at this point every episode feels like three, given how much HAPPENS in an hour.  I think that a big part of this is the fact that TVD has built up a huge cast of characters that can be endlessly explored in different configurations.  TSC is still in it’s infancy and whether by design or due to budget constraints, has a more limited pool of people to work with.  The show just feels smaller-scale and more insular than TVD, and when the smaller show follows the bigger, more epic show, I’m sure that to some it can feel like a bit of a letdown.  

With TSC, we see the same six main characters in the same handful of settings on a weekly basis, which can start to feel a little static, even this early into the run.  I think that this is why episodes like ‘Beneath’ led to such a strong (positive) fan reaction; because the show expanded it’s physical setting and it was exciting for the audience to move beyond the abandoned house, the bar and Cassie’s Kitchen of Death.  (This episode also worked because it let the kids be teenagers and have some fun, which I’ll get to in more detail later).  So overall, I agree that following TVD with TSC is probably not the best idea, because the scale feels much smaller in comparison and therefore possibly a little anti-climactic.  I tend to watch TVD on Fridays, so this isn’t really an issue for me, However, most people probably do watch them back to back and I think even just flipping the order would work.  Of course, that would deprive TSC of the TVD lead-in, which could be a problem – does it have a strong enough following at this point to compete with everything else on Thursdays at 8?  I don’t know.  

Well, I doubt that anything on the CW can REALLY compete with everything else on at eight on Thursdays (except, apparently, Community–sad face), but I think they’re okay with that.  I feel like CW isn’t really EXPECTED to compete, so they have different standards.  

I do want to go back to your point about the scale of the show, though.  I just feel like, in a setting like the Pacific Northwest, there should be more variety in settings just by virtue of being in the great outdoors, ESPECIALLY with all the witchy nature connection shit.  And they have the restaurant, but they don’t even use that very much.  And (AND!) it cannot be that hard to find young, pretty, unknown actors who will work for cheap to get some exposure.  I mean, was it really NECESSARY to cast Lux in this part?  No.  And I hope they didn’t blow their budget on her and Thomas Dekker.  (I mean, she’s MUCH better as Cassie than Lux, but I’m obviously still not over it completely.)  I don’t know exactly what the problem is with the show, but I will say this–I don’t think it’s a problem with the acting (I especially love the adults, and the kids are fine), and I don’t think it’s a problem with premise or style.  I think this is a writing issue, and I have a couple of key points as to WHY I think that.  Ready for the bullets? Read the rest of this entry »

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Um, hello.  Like we were going to miss out on an opportunity to do some end of the year reflecting, PLUS this week I read one of the greatest quotes of the year (and just in the nick of time) courtesy of @DSylvan–”Opinions really are like assholes–both are all over the internet.”  Hee!  You know we’re the biggest assholes of all.

But anyway.  No top ten lists from us.  It’s all arbitrary and no one can watch enough TV to make a truly thorough list, so we’re just going to do what we do best, and bullshit, but this time with categories!  Nicole and I will be offering up our opinions on our totally made up categories, throwing in the occasional commentary on each other’s answers, and demanding to know what you think in the comments.  It’s gonna be long, strong, and down to get the friction on, SOOOOO …

Oh, wait.  Also, we have agreed to have very loose definitions of the term “year”.  And several other things.

Now.  Let’s ride, motherfuckers.

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